Behind the Scenes: Revolution in Their Words

Carrie Blough, Curator Registrar
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Installation is underway for the DAR Museum’s America 250! special exhibition, Revolution in Their Words. Drawing on diaries, letters, and documents from the NSDAR’s Americana Collection, the exhibit features firsthand accounts of the Revolutionary War, many of which have never been publicly displayed.

The exhibition is arranged thematically into four sections: Words of Diplomacy, Words of the People, Words of Resistance, and Words in Print. Each section features museum objects staged in vignettes to set the scene. In Words of Diplomacy, for instance, a tavern scene evokes a common setting for political discourse of the period. John Hancock’s letterbox, signed and dated 1770, sits prominently on the table. The letterbox and other items associated with Hancock were donated to the Museum in 1970 by NSDAR member Henrietta Niles Ward Howe, a descendant of John Hancock’s nephew (also named John Hancock). Vignettes in the other sections include a writing table similar to the one used by poet Phillis Wheatley, a typical soldier’s camp scene, and a printing press.

Phillis Wheatley

After years of research and planning the exhibition is almost ready for visitors. 

Several borrowed items will be on display including a copy of the so-called Stone engraving of the Declaration of Independence made in 1976 for the Bicentennial from the original 1823 copper plate. One of only seven copies, this document is on loan from the National Archives and Records Administration.

Other borrowed items include a copy of Phillis Wheatley’s volume Poems on Various Subjects, Religious and Moral. Printed in London in 1773, this was the first published book of poetry by an African American writer. The American Antiquarian Society loaned this and a copy of Samuel Hopkins’ A dialogue concerning the slavery of the Africans, published in 1776. 

The museum team worked with Howard + Revis Design on the exhibition design, which brings the research and ideas of the museum team to life.

 some had to undergo conservation for stabilization and appearance

Designers, fabricators, and mount makers are hard at work preparing materials for the exhibition. The exhibition furniture, graphics, and other built-in features set the stage for the objects, the stars of the show!

Before the stars are ready for the spotlight, some had to undergo conservation for stabilization and appearance. One such document is the 1819 copy of Philadelphia printer John Binns’ “splendid edition” of the Declaration of Independence. Binns was not the first to reprint the Declaration of Independence, but his was by far the most ornate, with decorative medallions surrounding the United States arms. The Binns copy of the Declaration of Independence was donated to the NSDAR Americana collection by Rosalind Barton in 2016 and its conservation by Morgan Browing of the Washington Conservation Studio was generously sponsored by the DAR’s America 250! Committee.

Revolution in Their Words

Revolution in Their Words offers a rare opportunity to view documents written by people who experienced the war firsthand and printed material that influenced the American Revolution. Museum objects that include words in support of liberty will help tell the story of the war from the perspective of the people who were living it. 

DAR members and the public are invited to a special preview and reception on March 26, 2026, from 5 to 7 PM. The exhibition opens to the public the following day and will be open until March 27, 2027. A new set of banners on Memorial Continental Hall will help direct visitors to see the special exhibition. 

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