Reflections from the Executive Officers: Curator General

As I reflect on the incredible journey of the Office of Curator General during the Wright Administration, I am filled with deep gratitude and appreciation. Every success over these past three years has been the result of the unwavering passion and hard work of our staff and the steadfast dedication of our members.

The DAR Museum has had the privilege of presenting three truly outstanding exhibitions during this administration. Finally, Pleasing Truths: Power and Portraits in the American Revolution took visitors on an insightful exploration of early American portraiture, its symbolism, and historical impact. This exhibition featured an interactive digital display, along with a costume and photo area that allowed visitors to connect with history in a dynamic, personal way.

Our second major exhibition, Sewn in America: Making, Meaning, Memory, was a landmark moment for the museum. By bringing together clothing, quilts, needlework, and household textiles, it celebrated the essential role of sewing in American women’s lives — a perfect reflection of the DAR’s long-standing commitment to preserving and sharing women’s history.

Fighting for Freedom: Black Craftspeople and the Pursuit of Freedom opened this spring and honors the creations, contributions, and enduring legacies of Black craftspeople. This powerful exhibition explores the diverse pathways and principles of freedom through their work and stories.

Another highlight of this administration was the renovation of Memorial Continental Hall. Preserving the historic integrity of this beloved landmark while enhancing its role as a premier exhibition space was no small task. Curator of Furnishings and Historic Preservation, Patrick Sheary, led this effort with great care and vision. His work has ensured that Memorial Continental Hall will continue to inspire and “sparkle” for generations to come.

As Curator General, I worked closely with DAR Museum staff and external advisors to develop a comprehensive strategic framework and update policies as part of our reaccreditation by the American Alliance of Museums. As one of the first museums ever accredited by the AAM, this accomplishment reaffirms the high level of professionalism and excellence that has long been the hallmark of the DAR Museum.

One of the greatest joys of serving as Curator General has been the opportunity to work alongside five extraordinary national committee chairs: Mernie Crane (DAR Museum Outreach), Cindi Newbold (DAR Good Citizens), Lynne Stallcop (Conservation), Kate Johanns (Public Relations and Media), and Julia Hood (Junior American Citizens). Each of these women brings tremendous talent and dedication to their work, and their committees’ achievements could easily be the subject of their own blogs. I am deeply grateful for their leadership and honored to have served with them.

As I look back on these accomplishments, I do so with immense pride and a heart full of gratitude — for our staff, our members, and everyone who has helped make these milestones possible. Together, we have not only preserved the past but also laid the foundation for a bright, vibrant future.